Fresh Perspectives on Climate and Creativity: TRASHedy at the Key Theatre

Plays about the environment can be off-putting for many audiences – no-one wants to feel preached to, or shamed, or reminded of their own shortcomings when it comes to environmental impact. TRASHedy was devised over a decade ago with young people in mind, so the balance between message and engagement has been part of its design from the start. Created by German company performing:group, the show has toured internationally for more than ten years - its entire set fitting into a single suitcase. It remains sharp, relevant, and confidently staged. The production makes the most of its intentionally compact setup: animations are projected onto a screen made of taped-together paper sheets, and performers Lena Marie Kaiser and Daniel Mathéus use every inch of the space - often breaking the fourth wall to draw the audience in.

TRASHedy first caught our attention when Louise Garwood attended the Edinburgh International Children’s Festival on behalf of Jumped Up Theatre. She was struck by its energy, wit and clarity - and knew it had something important to say to young people in Peterborough. In partnership with Landmark Theatres, we were able to bring the show to The Key Theatre. TRASHedy is the first time Jumped Up Theatre has hosted an international tour, and the show became the centrepiece of a two-day programme exploring environmental issues through creativity and conversation - one day for the public, and one specially designed for students from Thomas Deacon Academy. Alongside the performance, pre-show workshops were held for young people led by PECT, Art Pop-Up and our very own New Creatives Youth Programme. After the show, the cast joined a Q&A open to all audience members who wanted to continue the conversation.

Here’s a closer look at what we did, who we worked with, and what it meant to the people who took part.


Young Audiences

You surprised me in the best way possible
— TDA student
I LOVED THIS, WELL DONE!!
— TDA student

On Monday 12th May, we invited students from Thomas Deacon Academy to the Key Theatre for a morning of creative workshops and conversations. For many, it was a first experience of this kind of theatre, and their responses were full of energy and enthusiasm.

I’ve had so many students come and say they really enjoyed the show and workshops. The Q&A sparked so many conversations around buying power and consumerism in general and it really felt let a special moment for the students to talk to the cast. Such a fantastic morning, thank you for carving memories!
— Kelly Joiner, Community Engagement Lead at Thomas Deacon Academy

A mixed group of young people and adults playing a recycling game, sorting objects into different categories.

New Creatives

As part of our ongoing participation programme, this year’s New Creatives Youth Programme cohort has been exploring the environment and sustainability through devised performance and creative workshops. Their work aligned naturally with TRASHedy, and they led pre-show sessions for other young people attending the event.


Young Reviewers

Young people are experts in their own experiences. They know what matters to them, what sparks their interest, and what makes theatre feel relevant. They understand better than anyone what speaks to their generation - which is exactly why we wanted to hear from them.

Here’s a snapshot of what they had to say:

Throughout the play, I became mindful of what I spend my money on, and the little ways I can contribute to protect my environment.
— Maleeha Iqbal
 
It’s relatively easy to relax in a theatre, laugh, and forget all of your worries for a while, but shows like TRASHedy carry a message about our world that is too powerful to be glossed over; its meaning stayed with me, even after I’d walked out of The Key Theatre doors.
— Jennifer Ramm
 
TRASHedy allowed me to think personally and politically. It made me consider how personal responsibility has an impact on consumer culture, in a technological, political, environmental and media-saturated society.
— Louisa Cox

Left to right: Martin Rascher, Marie-Lena Kaiser, Daniel Mathéus from performing:group with Jumped Up Theatre’s kate hall at the post show q&a


General Public

The public performance of TRASHedy sparked a strong response from audiences, who connected not only with the environmental themes, but with the precision, skill and originality of the performance itself, and reflected afterwards that they had an appetite for more socially engaged theatre here in Peterborough.

Reactions from the audience speak for themselves:

Things like this are great for Peterborough
This was one of a kind!
The mixture of craft + media really brought the facts to life – won’t ever forget it
Loved watching the product of so much careful thought mixed with creativity
I need to do more research on products to buy
Challenged my perception of what theatre is
Fantastic show, clear message
I’d just like to see more shows like this here. No critiques

TRASHedy revealed a growing appetite in Peterborough for bold, thoughtful, and socially conscious work. At Jumped Up Theatre, we believe in the power of live theatre to shift perspectives, build connections, and spark change. Our mission is rooted in creating opportunities for people across the city to make, enjoy and celebrate culture as a catalyst for a more connected, empowered community. As we continue to bring ambitious work like TRASHedy to Peterborough, we remain committed to changing the city by changing the stories it tells.

 
 

Sheila Ochojska: New Creatives Arts Supplies and First Concert

I am very thankful for receiving this money from this wonderful experience. I am deeply honoured and grateful for your generous support.

This bursary made a significant difference and I was saving up money for this lovely Lana Del Ray concert for months but it never seemed enough. Finally that I was able to pay for the ticket I had some money leftover which was incredible!

It made a grand change in my studies as I was able to buy packs of flashcards for my uncreative lessons. I was able to prepare for PPE's without using some other material that would most likely not hold up or even use other methods that I'm not quite fond of.

For my adored creative side of my school timetable I have gotten; oil pastels, paintbrushes and water colours. With this new equipment I'm able to create more pieces and have fun with the new oil pastel colours that don't turn brown. I don't have many Medias at home so mostly I borrowed things, which weren't the best quality, from school. I was already able to expand the variety of pieces I was able to produce.

The main purchase was the Lana Del Ray tickets. I have been her fan since I could remember her aesthetic and the way her music just sounds makes me feel very feminine. Her songs are like cinematic dreams-lush, melancholic and drenched in emotion. They way her music blends across from vintage Americana and modern sadness creates a melody both nostalgic and timeless.

Which this leaves me to thank you again as I am finally able to experience the dream of going to a concert and it being Lana's.

Simona Gorochova: New Creatives & Concerts

I received a bursary after I took part in the new creatives’ artist selection process, I was so delighted and beyond grateful to have been given so many opportunities during this ongoing program. I decided to use this money for a Lana Del Rey concert ticket at Wembley Stadium. I have chosen this because although I love listening to many music artists, Lana Del Rey is my number one artist, and her songs are beautiful and enchanting. As a general person, I do not have amazing memory however the lyrics of so many of her songs are embedded in my brain. Lana Del Rey is like a poet, the lyrics and beat of her songs create images that pull you in as though you are experiencing it all yourself. I hope to hear many of her songs at the concert, such as:

Cherry blossom - this sounds like a walk, in fields of flowers in the misty fog of the morning.

California – this reminds me of motorcycles driving in old Hollywood as palm trees surround it.

Thunder – like thin curtains that blow in the wind of a country farmhouse.

I could continue listing her songs and the tranquil images they create; however, I will not bore you. I am not using my bursary for a noble or charitable cause but as a form of expression. I adore Lana Del Rey and I have never gotten the chance to attend any of her previous concerts, but I now have the opportunity to do so and am eagerly awaiting.

Louisa Cox: Safe Soulmates, The Great Gatsby and Website Content Creation

As part of my work as a ‘New Creative’ for Jumped Up Theatre (2024–25), I received a bursary for my involvement in the artist selection process. As a young person in the Peterborough area, I am passionate about arts and inclusion for young people. I have chosen to split the money between three projects which I believe will enhance opportunities for young people in Peterborough.

I currently volunteer for Safe Soulmates, a Peterborough and Cambridgeshire-based organisation that combats loneliness and isolation for neurodivergent and disabled adults. I am in the process of creating an online Zoom Creative Writing group for this community. Therefore, the first project I will fund is the development of this group. I anticipate using some of the bursary for future group activities, such as creative exercises or potential guest speakers. As a university student studying Psychosocial Studies, I am deeply committed to inclusion and accessibility. I’m excited to use part of the bursary in collaboration with Safe Soulmates to provide disabled and neurodivergent adults with access to creative writing workshops.

Furthermore, I plan to use part of the bursary to attend The Great Gatsby musical in London this spring. I currently review various theatre productions in Peterborough and East Anglia for Harry’s Theatre Life, and I hope to continue creating social content, blogs, and articles for events I attend. While I write for Harry’s Theatre Life, I am also working on launching my own website to showcase my portfolio. After attending The Great Gatsby, I aim to publish my first independent review and begin regularly updating my own theatre and arts content site. I believe The Great Gatsby is the perfect production to launch my blog, and I look forward to experiencing the show with peers—other young people in Peterborough who rarely get to attend theatre due to financial barriers. This bursary allows us to share the experience and generate meaningful creative content around it.

I am grateful to have received this bursary. Splitting it between Safe Soulmates and my personal projects allows me to support a range of initiatives that benefit different people across Peterborough. I look forward to launching the writing group, attending The Great Gatsby, and building my theatre portfolio and website. I also hope to collaborate with other young creatives in Peterborough, giving them the opportunity to volunteer their skills, enhance their creativity, and contribute to my content creation journey.

Thank you to Jumped Up Theatre for the opportunity to be a ‘New Creative’. This experience has given me the confidence, skills, and support to bring these three projects to life.

Chiara Hamilton: Jumped-Up Theatre, New Creatives and the funding that I received.

I applied and got accepted in the New Creatives programme, Jumped-up theatre last year (2024) in October. New Creatives is a creative programme for 16-25 year olds. The arty theatre programme includes workshops, masterclasses and trips related to art, performance and comedy with the themed topic of 'Climate Change'.

From October to now, we have participated in many workshops and comedy sessions. In these, we have learnt about improvisation, acting, comedy and storytelling. As well as learning the impacts of climate change; from the climate change cycle to litter picking, fossil fuels, renewable energy and wild weather. As a group, we have learnt about a diverse range of climate change topics as well as learning the facts, details and specifics of it also.

In April 2025 the New Creatives group are going to do a day of activities relating to the theme of climate change to secondary school children. Such as picking up litter, doing a dance of the climate change cycle and a quiz game show. We hope to make it fun for children but also that they can get something out of it and learn something from the day.

The new creatives were also given funding to help with our art endeavours. With the small pot of money, I decided to use it for art books to help aid my progression and improvement as well as growth in the creative arts. This funding I used specifically for a number of stylized colourful illustration books. I found these books online on an art website called 3dtotal shop which has a number of different bespoke art books from well known and well respected illustrators and digital artists. The books are varied and have different topics in each of them. At the end of this page are the images of the cover, inside and some details as well as a review of the art books that I got.

One of the books that I purchased is called sketch every day, Simone Grunewald. This book has many 'how to draw' pages and sketches on step by step processes on how to draw character design, for example. Another book, is titled 'How to become a children's illustrator'. This has detailed biographies on illustrators and how they got to where they are now, (as a child's illustrator), detailing the steps that got them there. This includes being self taught or taught in art illustration techniques, the world of illustration from style of book covers to target audience of children and suitability for different age ranges covers of books. I found this book in particular fascinating because I can learn so much, absorb a lot and use the book for creative advice and motivation in illustration.

The funding I received has helped me with my finances for art supplies and art resources. I could buy books and put the money to one side to fund art materials. Having this funding to buy creative things has made me realise how much I can invest in art and how much I need to invest. As well as, learning about costs, quality of materials, quantity of substances and finding the creative resources. Purchasing and having art books that cover fantasy, drawing from the imagination and mythical creatures has helped me get excited about reading and learning about different artists and artworks. It has allowed myself as an artist, to have the possibility of growing in my arts knowledge and skills but also to have a growth mindset and to keep going and finding new possibilities, opportunities and creative resources for my creative journey.

Below, are some images of the art book covers, titles and the insides of them of the books that I purchased as well. This funding, has been a good fortune towards my art journey and career and I cannot wait to read more of these books and go further with the new creatives art project with more events and activities with Jumped-Up theatre.

Human connection and new beginnings

Human connection and new beginnings

Human connection and new beginnings

On watching How Shall We Begin Again, by Jennifer Ramm

Sitting in an audience can be equally powerful as standing on a stage; to become completely absorbed in a live performance is such a special experience. You become part of the wider story, which is how it felt watching the Peterborough performance of How Shall We Begin Again. It has already taken place in London and Cardiff and here it was in our hometown, at last. The next pivotal chapter of Peterborough’s story was being written, the ink being the dancers’ performances, the paper being the stage. Hand-picked music injected new life into the Key Theatre auditorium, providing the soundtrack to the lives of 35 co-creators: what they need to feel or express at that moment. It resembles therapy through dance, like a pocket that holds the people of Peterborough’s hopes, dreams and life experiences.

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How Shall We Begin Again? By Jennifer Ramm

How Shall We Begin Again? By Jennifer Ramm

Peterborough is a beautiful amalgamation of cultures, histories, of stories to be told by individuals from all kinds of backgrounds. From Shiamak Bollywood dance classes at Bharat Hindu Samaj Mandir temple to the Folk Dance Club at Marholm Village Hall, it is undoubtedly a city that hears a calling to represent cultures through dance. But this is also a predominantly business-oriented city, and in the open sessions, it was discussed how there’s been a drought in opportunities for the arts community in Peterborough for a while now.  How Shall We Begin Again? is sure to open up a gateway to artistic expression and freedom, ignite a passion that we don’t normally get to see here, and build a vital bridge between all kinds of people, dancers and non-dancers alike.

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Diversifying Programming to Diversify Audiences- Cultural Alliance Workshops

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Such as Community celebrations or Community-led projects or Visiting Partners programme.Particularly of interest to creatives and community leaders who want to be part of the priority in the cultural strategy to develop more “Diversity in artists and events; range of types of activity offered; increased collaboration between organisations and individuals.

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Young People & Creative Pathways-Cultural Alliance Workshops

Young People & Creative Pathways-Cultural Alliance Workshops

From Creative Careers to Creative Campaigns.Particularly of interest to young people, youth leaders, educators and creatives working with young people or young audiences on creative career pathways or youth voice opportunities.“Enhancing the level of creative skills as percentage of qualifications; use of cultural experience to deliver skills gaps across the Combined Authority area”AND “Create resilient, effective, inclusive leadership for culture in Peterborough”

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Transforming Place- Cultural Alliance Workshops

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From a Crypto-art exhibition to venue based projects to city centre events. Particularly of interest to creatives and community leaders who want to create activity or bring audiences to established venues, in virtual spaces or in public, outdoor spaces. “More productions/exhibitions /events; greater investment in creative and heritage activities; range of people involved” AND “Greater press coverage, visitor footfall at attractions, venues and hospitality …”

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How Shall We Begin Again? By starting ...

How Shall We Begin Again? By starting ...

Sunday 13 November - myself, Emily and 6 brilliant women who are to be part of How Shall We Begin Again? in Peterborough went to see the London-iteration of Jo Fong’s process at the Siobhan Davies Studios in Elephant & Castle, South London.

I will try to describe what I saw, from 2pm - 5pm, as a series of dancers, solo and group, came into the space, and shared the movement of their bodies and the progression of their thoughts about How Shall We Begin Again? It’s not opinion - it’s what I saw.

A Series of TedTalks. Where bodies did the talking ….

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